
Kennedy Redware Pottery
Clay
I am a historic redware potter since 1986. I employ historic folk art on slab technique redware pottery. I use mason stain and slip and underglazes.

80th American Crafts & Historic Homes Tour
As a period formal furniture maker, Kauffman’s intention is to build furniture inspired by the designs of authentic period pieces and to impart to those pieces a beauty that can be admired and enjoyed, and a functionality that can be appreciated for generations. Kauffman’s hope is that his furniture, having been built with time-tested, period joinery and embellished with period carving, inlay, veneer, and other decorations, will emulate the quality, lasting appeal, and value of furniture from the 1700s and early 1800s. Lastly, that his furniture craftsmanship, conscientiousness, humanity, and dignity will be easily recognizable to those who own it.
Jackson Foster is a maker and painter of trade & tavern signs in the tradition of 18th and 19th-century artisans. His research of historic people and places is the rationale for the majority of his signs. His background in history, design, lettering, and woodworking provides the basis for creating authentic interpretations of early American signboards. He uses reclaimed wood–some boards date to the 1700s–and period-style hardware including
blacksmith-forged hanging irons, nails, and hinges—all making for unique signs in which no two are alike. He continues to refine his craft through research of early American artisans, typographic styles, painting practices, and joinery techniques. Each sign purchase comes with a framed, historic description providing research and background information.
Square of the Bone
Jewelry
I cut each design completely by hand using a traditional jeweler’s saw, then they are fabricated, formed, textured, and patinated. I also use the technique of Champlevé with vitreous glass enamel with sterling silver, rose gold, 14k yellow gold, and nickel free copper sourced from foundries specializing in recycled precious metals. I heavily reference biology and natural sciences such as entomology with textures, patterns and motifs. Because of my quirky sense of humor my work rides the line of peculiarity while also being dainty and precious. I create my jewelry to be highly expressive for a wide range of aesthetics.
I have been creating and displaying stained glass artwork for more than 25 years. Trained by craftsman in the Boston area, my work is centered on quality, detail, vibrant colors and creative patterns. Also, have been involved in numerous restoration projects for antique, ecclesiastic and architectural subjects. Have a keen interest in maintaining and showcasing the craft to the public, including teaching classes for others to learn.
Professionally trained for jewelry designs and enamel artist/goldsmith. One-of-a-kind enamel cloisonné jewelry, original in design, handcrafted with 24k yellow gold wire, fired at 1500°F, set in 14k yellow gold, hand fabrication, with precious stones. We have developed our own techniques and processes with fantastic color results. Yang owns copyrights of the work. Eight awards were received in 2022.
This unique form of ceramics is created from hand-built stoneware clay slabs designed with tedious impressions of Appalachian plants set delicately into patterns and mandalas that are highlighted by iron-oxides and various glazes. Honoring the vast botanical realms of the Appalachian bio-region, each platter, plate, vase, mug, bowl, and jewelry piece is handcrafted and as unique as the plants that were impressed into them. This technique has been passed down from a university level trained father to son, and is inspired by visionary art, indigenous mysticism and the powerful magic found in the lush forests of the Blue Ridge mountains.
The true vision of my art is to reconnect humanity to love and the eloquent healing powers of nature through connection, inspiration, and deeper understanding, thus creating a mutual respect and intention to heal the wounds of our heavily impacted planet.
Rochford has always been interested in history and early American crafts. Through this interest, she became acquainted with the historical American floorcloths. She enjoys demonstrating and educating the public about this craft. During the last 13 years, she has made these canvas products for home as well as for sale. The first piece, a large 8ft. rug is still in her front hallway. Many of designs are inspired by the colonial canvases, although she creates original and contemporary designs. The products begin with natural heavy cotton canvas. This canvas is stretched and coated with primer, artwork done, then a protective coats applied. The final step involves creating a folded under and glued hem. In addition to participating in many shows, Rochford has produced many and varied custom pieces, including historical reproduction pieces. She also worked with interior designers and have taught numerous floorcloth production workshops.