80th American Crafts & Historic Homes Tour
Handmade, one at a time Carpetbags made in Woodstock VA. Made from upholstery fabric, with leather rope handles, fabric straps and brass or antique brass locking mechanisms. Wooden bottoms with brass stud feet. Inside pockets, some with zippers.
My carpetbags have been in movies like Tombstone, Bewitch, The Lone Ranger, Hell on Wheels (western), Last Man Standing and many more.
Durnell, 2022 Waterford Artisan of the Year, is a mixed media artist working in natural fiber, wood, repurposed antique or vintage fabrics, leather, and clay. She’s a storyteller and adventurer at heart. “If I could have Jules Verne over for dinner, I would.” She is also a collector and admirer of textiles, tools, and objects from the past and uses the carvings and collections to create the chapters of her life in imagery evocative of 17-19th century lithographs, literature, and satire. The provenance of materials often makes its way into the brief stories of each character as a way to punctuate their tales, to preserve old materials, and honor the methods for making them. Durnell uses only hand tools and prides herself on creating one-of-a-kind characters using wood she finds on her adventures, injecting a bit of humor, and promoting the old idea of “making do.” The characters look like they have lived a lot and have a story to tell. She feels her job, once they are at a show, is to connect them with the next leg of their journey.
Durnell will be doing a moderate amount of wood carving to show the method of choosing wood for her characters and the use of hand tools. She will be demonstrating clothing design and draping methods as well as the making of the tiny leather shoes. As always, the stories of the characters with the provenance of their vintage materials, are an integral part of her work. The collectors come to hear the tales!
Ratcliffe creates miniature quilts inspired by 19th c. quilts. Using the most effective elements in the design and color of 1800s. pieces, She stitches intricate miniatures adding contemporary interpretation. Each is a complete, backed quilt of cotton fabric, hemmed by hand. Quilt tops are sewn using traditional sewing-machine straight stitching and hand techniques such as straight stitching, cutwork applique, English paper piecing, and foundation piecing. She makes patterns chooses fabric based on the study of 19th c. textiles and quilt construction techniques, thus preserving and validating the early works of artistic expression. Quilts range from 6 to 13 inch squares and rectangles, about 1:12 scale, some with as many as 1,200 tiny pieces. Current work reflects the change in style from early chintz quilts to the bold graphics of later and current times. All quilts are presented archivally framed in wooden frames.
Withnell is passionate about fiber arts and particularly enjoys spinning yarns from animals she has bred, delivered, raised and cared for. Weaving allows her creative needs to explore color and texture, while designing unique items. Susan Withnell was the 2020 Waterford Fair Artisan of the Year!
Stanik is a second generation woodworker, and learned most of his skills by working with his father. He has worked with his hands and built furniture most of his life. His passion is to take pieces of rough lumber and fashion it into a fine piece of furniture. About 15 years ago he began to enjoy building furniture using reclaimed American Wormy Chestnut. All of the wood used is reclaimed from structures that have outlived their usage. This sets Yesteryear apart from other craftsmen as they are able to build wonderful furniture that has an incredible history. Most of the pieces built are of Shaker style. They learn the history of how the Shakers built their furniture. During this time in history, metal was hard to obtain and expensive, so they were forced to come up with methods to construct their furniture that achieved the purpose and would last for years. Stanik utilizes as many of these methods as they feel it is still superior to modern methods.
Van Hart is a sculptor that focuses on undulating and textural surfaces. Asymmetry and kinetic features lend surprising grace to the larger scale of this narrative work: each piece develops as a tribute to a hero, a meditation on place, a plea for strength in times of adversity. The Heart Armor are based on an inverted milkweed pod. Botanical portraits are pierced, forged, reticulated, granulated, fabricated repousse body and architectural adornment. A constant voice in this work is the supple technique of diminished diameter forging. Sterling, 80/20 silver, 14-18 K yellow or rose gold, and copper are occasionally combined with rare gems and Akoya pearls. Historically significant botanical symbols, people and stories are conceptually interpreted with contemporary flair using classic techniques.
Each porcelain ornament or egg features colorful raised detail, providing both visual and textural elements. Piazza strive to convey an emotion with every piece, the response being unique to each individual. Memories of holidays, family, history, or whimsy may all come to mind, the ultimate goal being the creation of future heirlooms to be passed down through generations.
Piazza has chosen porcelain as her medium, as it is smooth and refined in texture but also extremely strong. This clay body is most appropriate for the intricate raised artwork, the signature of her work. The pieces are cast from original molds.
Technique: This is a modification of the historical slip trailing technique used by potters throughout the centuries. The contemporary adaptation to the use of syringes provides the method for capturing the tiniest of detail.
All pieces are signed and dated by Anne Piazza, and include a certificate of authenticity.
2021 Artisans of the Year
Steinhagen’s work draws heavily on the redware pottery produced in the 18th century by potters in England and by the Pennsylvania German tradition. They create forms that mirror the everyday plain mugs, bowls, and plates used in homes across the American colonies, and take special delight in reproducing unusual and decorative forms – puzzle mugs, harvest jugs, pierced double-walled pieces, sculptural posset pots. They conduct ongoing research (both here and in England) to gain a deeper understanding of the breadth of work produced by early potters. Steinhagen often uses their findings as a springboard to create original works that speak to the traditions of the past and connect them to the present day.
Erich’s been a potter since he was in high school. We met in college in western Pennsylvania when we were both art majors, 45 years ago. He kept up with the pottery as a side gig through three kids and 30 years in a 9 to 5 job, but it wasn’t until about 20 years ago that Janice finally gave in to his encouragement to try sgraffito on his pottery. That’s when our work really took off. All the wheel and sculptural work is done by Erich; Janice does the sgraffito, and also makes slump-molded plates, brooches and ornaments.
We enjoy collaborating to create an interplay of the clay forms and the inscribed motifs, which freely borrow from both Pennsylvania German and British folk pottery traditions. And the use of text (again, a traditional design element for both German and British styles) speaks to Janice’s 40-year career as a journalist and wordsmith. One of our favorite current projects is creating mugs with quotes from our founding fathers and mothers, ranging from George Washington and Alexander Hamilton to Abigail Adams and poet Phillis Wheatley. Their words resonate even more deeply today, and we love engaging people in history through stirring words that speak to the present moment.